Sik Zyu Soeng

070

Taste Library, Hong Kong

“Sik Zyu Soeng” (Eating along the way) is the opening exhibition of the series “Sik Ji Gei” (Eat yourself) by Au Yeung Ying Chai, the RGB coloured walls along the wooden framed corridors are devoured entirely by the large canvas depicting food related proverbs. Here the audiences have no way to escape from reflecting about the profound questions on morality and humanity through the intrinsic behaviour of eating and speaking both happening within the throat.

A system of ready-made wooden ladder hack climbs, elevates and backs the paintings of a filthy, melancholic and imperfect world to remind visitors to continue living with black humour and careful observation in our remaining ground of chivalry and justice. Existing furniture and bookshelves inside Taste Library are oriented towards the wall of paintings, forcing a dialogue or confrontation between audiences and the profaneness. While the remaining numbers of sofas, lounge chairs and stools are arranged radially in the dark room at the end of the exhibition, visitors experience the final scene with sound devices composed of Hongkongers voices from different non-native background attempting to learn and read the exhibited Cantonese phrases and proverbs to perhaps define a new chapter for the city.

Context:

Taste Library is a two thousand square foot library inside PMQ, with a wide-ranging collection of culinary-related books and recipes in Hong Kong. The project brief is to create a spatial design for the upcoming exhibition at Taste Library, without disrupting the members from using the space while allowing one to appreciate the exhibition.

Concept:

The artist's initial idea is to exhibit a new series of large scaled paintings across the entirety of Taste Library, where the painting series are gastronomic depictions of Cantonese slangs and puns. The initial design therefore refers to the devouring and depletion of spaces to relate to the act of eating.

Process:

Based on the existing Taste Library spatial layout of a long space combined by rooms painted in different wall colours and punctured by a passage along the centreline, the exhibition design follows the logic of each rooms’ colours and distinctiveness. Paintings are categorised and grouped in relation to the first three room colours. And hung on the wall facing towards the corridor direction only.

The existing design furniture and bookshelves in the library are all rearranged according to the mood of each room, oriented to force a visual relation between the members with the paintings. After passing the RGB coloured rooms, visitors enter the end grey room which became a dark space spotlighted with a ladder at the centre and surrounded by the temporarily redundant furniture from Taste Library as a quiet space to experience the sound designed by musician Erikson Ting.

Production:

“Sik Zyu Soeng” interpreted as “Eating along the way”, suggests the attitude to endure and continue to go up in life. This notion is embedded in the use of ready made ladders which is a common commodity in Hong Kong and suggest an upward motion. The ready made ladders are bought in mass purchase, and are designed as hack-on display devices like an easel to exhibit two paintings every ladder.

Experience:

The video demonstrates a timelapse of the exhibition set-up. With the hack on design of commonly found wooden ladders as the exhibition display, the exhibition structures are entirely prefabricated offsite. The set up is rapid and took a few hours to erect the ladders in place, and hang the corresponding paintings according to the exhibition layout.

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